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Et de deux : Canon EF 70-200mm f/4L IS II USM


Toujours chez Nokishita : d’autres images (fuitées) de l’autre annonce à venir : le Canon EF 70-200 mm F 4 L IS II USM…

L’objectif que je conseille absolument aux amateurs passionnés (et que j’utilise personnellement). On sait presque tout déjà :

Les professionnel se tourneront quand à eux vers le prochain : Canon EF 70-200 mm F 2.8 L IS III USM dévoilé en même temps !

Pour ma part, en 2012, j’ai revendu mon EF 70-200 mm f/2.8 L IS USM (celui de 2001) et je suis passé au Canon EF 70-200 mm f/4 L IS USM (le premier modèle datant de 2006)… Pour voyager plus léger surtout.

Et j’ai pu réaliser énormément d’images avec : comme celle-ci : Prise de vue : quelques classiques de composition (1/2). Il faudra voir, si ce nouveau modèle me donnera envie de faire le mise à jour, car le précédent modèle marche toujours idéalement !



Découvrez la traduction du communiqué de presse :


Les prix seront :

  • EF 70-200mm f / 4L IS II USM :  dispo en juin… 1 399 € – tarif officiel
  • EF 70-200mm f / 2.8L IS III USM : dispo en aout… 2 319 € – tarif officiel



Canon EF 70-200mm f/4L IS II USM

  • 70-200 mm
  • Fixed maximum aperture f / 4
  • Ring-shaped USM focus
  • Image stabilizer in 5 steps
  • Lightweight, weighs only 780 g

Canon EF 70-200mm f/2.8L IS III USM

  • 70-200mm
  • Fixed maximum aperture f / 2.8
  • Ring-shaped USM focus
  • Image stabilizer in 3.5 steps
  • Durable weatherproof construction


Canon upgrades the L Series’s popular EF 70-200mm lens EF 70-200mm f / 4L IS II USM EF 70-200mm f / 2.8L IS III USM

Canon upgrades two of its most popular and well-known L series lenses, and is now launching the EF 70-200mm f / 4L IS II USM and EF 70-200mm f / 2.8L IS III USM. For many years, both models have been important instrument for professional photographers and photo enthusiasts. The two new lenses can be used for many different objects, from portrait to wildlife, and confirms the main role of the 70-200mm lens photographers equipment bag.


Michael Burnhill is European Product Specialist for Consumer Imaging Group at Canon Europe, and commenting on the launch of the two lenses: « Following feedback from our global network of photographers can we now proudly launch these two lenses. We always strive to deliver products with the best quality and performance for today’s visual storytellers.


And to have a wide selection to respond the photographers’ needs in the best possible way. EF 70-200mm f / 4L IS II USM represents the finest in L series optical technology. It has a compact size, is sturdy and lightweight. Lens EF 70-200mm f / 2.8L IS III USM is unbeatable in terms of performance, flexibility and durability. « 


Superior quality, robust and compact design – EF 70-200mm f / 4L IS II USM


EF 70-200mm f / 4L IS II USM builds on the predecessor’s high standard. There it is superior design, durability and ergonomic design that Canon’s wide lens range is renowned for. The lens weighs only 780 grams and is perfect for anyone on the move.


Fluorine coating prevents dirt and water drops on the front lens and anti-reflex treatment Super Spectra eliminates reflexes and light bulbs. The fluorite lenses available in the lens can correct
color defects and guarantees high resolution and contrast images. The amazing and reliable Image quality is invaluable when it comes to reducing time spent in post-processing.


The lens aperture f / 4 provides consistent exposure in many varying light conditions. EF 70-200mm f / 4L IS II USM has a 9-leaf circular aperture that creates an attractive backdrop, makes the background blurred and reinforces the subject itself. The new image stabilizer is based The design of Canon EF 100-400mm f / 4.5-5.6L IS II USM. It delivers the corresponding effect as with a 5 step shorter shutter speed, compared to the previous three steps of the previous lens*.


EF 70-200mm f / 4L IS II USM uses a combination of an annular ultrasonic engine and third generation technology with new high performance CPU and newly developed firmware for higher speed and Accuracy and fast auto focus. The focus can also be adjusted manually and allows a close-up of 1 m, to compare with the predecessor’s 1.2 m. All these features make the EF 70-200mm f / 4L IS II USM perfect for discreet and accurate photography, something that is needed for street photography to be really good.


High Performance, Versatile and Sustainable – EF 70-200mm f / 2.8L IS III USM

New EF 70-200mm f / 2.8L IS III USM makes the photographers experience even stronger. The lens was designed with high performance and durability in mind and fits photographers who want a high-quality telephoto lens like gives exact details. The lens sealing gaskets make it a sunny choice under challenging conditions.


It is protected against moistu e and dust and the front and rear lenses are protected by fluorine coatings and easy to clean. The updates in EF 70-200mm f / 2.8L IS III USM for Tolerance means that the lens is perfect for high quality travel lists.


The lens opens up a whole world of creative possibilities with its large 8-leaf circular shape aperture on f / 2.8. Now the photographer can raise sharp objects against silky, blurred backgrounds. With premium fluorite and UD glass, the EF 70-200mm f / 2.8L IS III USM delivers high contrast and excellent resolution.


Photographers can feel completely confident in being able to achieve that perfect picture. Low lightweight shooting is also no problem, thanks to the lens’s maximum maximum aperture f / 2.8, which is constant throughout the zoom range and emits twice as much light as a f / 4 lens.


The 3.5-step image stabilizer compensates for blur caused by motion. An annular USM engine provides silent auto focus in outstanding speeds and manual adjustments can be made at any time through one simple twist on the focus ring. All of these features make the EF 70-200mm f / 2.8L IS III USM exceptional objective – for example, to perfectly and quietly photograph animals in their natural surroundings.





8 commentaires

  1. Déjà, le changement ne sera pas pour le nouveau look ….

    Nota : je veux bien vous débarrasser de votre 70-200 actuel.

  2. a voir si l’électronique embarque ce qu’il faut pour gérer la stab avec les futurs capteurs à asservissement complémentaire de la stabilisation via le boitier (gyroscope, analyse du plan du capteur, etc)…

  3. Moi j’ai la toute première version non stabilisée et franchement (bien sûr la stab’ est un plus dans certaines situations) la qualité d’image est excellente sur un 6D. On le trouve d’occasion à 400-450€.

  4. Pingback: Quel est le meilleur 70-200 mm f/4 ? - photoetmac.com

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